Ana Segovia de Fuentes is now on view at the Museo Tamayo, in the groups show Otrxs Mundxs.
OTRXS MUNDXS [Spanish gender neutral for “Other Worlds”] is a group exhibition that surveys and articulates the work of an heterogeneous, multicultural group of more than forty artists who work individually and collectively in Mexico City. Throughout four thematic sections (I.Capitalism and Domination, II. Seriality, Identity and Obliteration, III. Entropy, Speculation and Visualization, and IV. Body and Materiality), the exhibition presents recent works and special commissions, which reveal urgent discourses, representative of an artistic community who internalizes the paradigms and failures of late capitalism. OTRXS MUNDXS focuses on highlighting otherness: artist’s presentations constitute artistic microcosms which question the preconceived, hegemonic notions—or else, they solidify alternative visions—of what it means to make art in or from Mexico City.
OTRXS MUNDXS presents a majority of younger, or emerging artists—for some of whom this exhibition is their first major museum presentation—as it articulates the narratives in which they are invested with a selected group of more established artists who have been instrumental for defining the Mexican artistic landscape, both nationally and internationally.
Even though the exhibition is an exhaustive revision of the current artistic landscape, it is not intended to be an all-encompassing or universal exercise. In that sense, the exhibition has been constructed with an awareness of its own limitations and with the hope of posing one argument, amongst the many that can be made about art in the present. The exhibition is, first and foremost, a platform for art and artists to trace conversations that have been at the forefront of global artistic discourse, presenting the important dialogue between local communities and Mexican artists with artists from Ecuador, República Dominicana, France, Brazil, Peru, and many cities of the United States. It also addresses the lack of institutional representation and attention to local communities, particularly for a younger generation of artists in the city. OTRXS MUNDXS consists of an unprecedented institutional response to the global pandemic; a gesture which, in the best of cases, anticipates a post-pandemic alterity, a world in which equality, social and interspecies justice and the well-being of the inhabitants of this complex city, is not posed as radical idea, but as an attainable reality.
Francis Alÿs, ASMA, Zazil Barba, Fernanda Barreto, Javier Barrios, Miguel Calderón, Pia Camil, Marcos Castro, Paloma Contreras Lomas, Chelsea Culprit, Pablo Dávila, ektor garcia, Mario García Torres y Sol Oosel, Yann Gerstberger, Julieta Gil, Daniel Godínez Nivón, Romeo Gómez López, Cristóbal Gracia, Clotilde Jiménez Madeline Jiménez, Ángela Leyva, Yeni Mao, Noe Martínez, Melanie McLain, Josué Mejía, Berenice Olmedo, Fernando Palma Rodríguez, Tania Pérez Córdova, Rita Ponce de León, Jerónimo Reyes-Retana, Armando Rosales, Marco Rountree, SANGREE, Bárbara Sánchez-Kane, Guillermo Santamarina, Ana Segovia, Tercerunquinto and Tezontle.
The OTRXS MUNDXS MONX typography and the graphic identity of the exhibition were specially designed by Aldo Arillo for Tomo publicaciones.
OTRXS MUNDXS [OTHER WORLDS], Museo Tamayo, 2020 – 2021 Group Exhibition. Curated by Humberto Moro and Andrés Valtierra. Assisted by Regina Elías. Photography by Gerardo Landa and Eduardo López for GLR Estudio

Ana Segovia, Installation view at Museo Tamayo, 2020. Courtesy Museo Tamayo

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